Advantages and disadvantages of blocking and striking with the same limb for belliciste arts

Advantages and disadvantages of blocking and striking with the same limb for belliciste arts

Advantages and disadvantages of blocking and striking with the same limb for belliciste arts

Blocking and hitting with the same leg or arm? What happened to the other weapons we carry as quartier of our bustier every day? I have to tell you that although I have had some good success with this method of counterattacking, it also has its drawbacks…

Advantage of blocking and striking with the same limb

An opening is created immediately

I block close and snap my hands to increase the apprêté of my block or parry. For this reason my opponent or attacker must reach to my side, thus creating an opening in the same sens.

A balle à la main with which to block the syndrome

I can’t tell you how many experienced belliciste artists I’ve fought that feel like they only have one limb to block with. This seems to be especially true if their devanture balle à la main is driving the attack. For some reason the block with the back balle à la main doesn’t seem to have developed as much of a reflex in belliciste artists as I’d like to see it. So if that balle à la main is suddenly extended outward, you can almost see the image of millet on their avant when they see a fist or knife-hand blow coming to the unprotected side of their head or neck.

Parce que these belliciste artists almost always block with a limb, they often try to throw me back into the block. They still don’t win bicause having a threatening weapon inside their defense is an unusual experience for them.

Difficulty blocking and hitting with the same limb

This will not work against a belliciste artist who blocks equally well with both hands

Think now before you say “yes that’s me”. When was the last time you stuck your balle à la main and avoided hitting or kicking with your other balle à la main without even thinking embout it?

Tends to block and then counterattack

I tranquillité after a block to counterattack with the same limb instead of just continuing the proposition. It happens! You’re fighting some guy who could probably kill you if he or she is having a bad day but tends to make sure you don’t get hurt!

Technically it’s slow!

Please think. You’re executing a right hooking tonus to the opponent. You block inside with your left balle à la main and counterattack with your right balle à la main at the same time and it’s fast! This is one of the reasons why I’m surprised that blocking and striking work so well!

Examples of blocking and striking with the same limb

I have personally performed these adjustments successfully to give you an idea of ​​what I am referring to. Please do not attempt these without the guidance of a qualified instructor.

Right hooking hand-strike

Left inside outer knife-hand block.

Left hooking footing to the chin.

Right hooking hand-strike

Left inside outer knife-hand block

Knife-hand injury to the neck from the outside from the inside.

Right hooking hand-strike

Knife-hand block from right outside to inside

Right back fist to the nose

Right hooking hand-strike

Knife-hand block from right outside to inside

Just a knife-hand strike from the inside out

Right roundhouse minois kick (shin, instep or toe)

Raise the left knee

Left devanture kick to the minois without keeping your leg down.

Right roundhouse minois kick (shin, instep or toe)

Raise right knee

Do a right side-kick on the supporting knee without keeping your leg down.

Point

You may find that you have some belliciste arts techniques to consider, practice, or of tour, as some belliciste artists do, nothing. After examining my theories it is your choice to widen your horizons by finding flaws or slightly disagree with them, brouillé them and make them your own.

#Advantages #disadvantages #blocking #striking #limb #belliciste #arts

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